데이비드 호크니 전시
1980년대 포토콜라쥬가 빠져서 아쉽다는 평
"움직임을 표현할 수 없는 평면성을 지닌 사진의 모든 한계를 콜라주의 방법을 이용하여 극복하고자 하였으며, 그것은 회화가 지닌 한계를 극복을 의미하는 것이기도 하다."
카메라와 달리 인간의 시각은 다른데 인간은 주관적이고 감각적인 시각으로 사물을 본다는 것.
" The camera can't see space. It sees surfaces. People see space, which is much more interesting. "
" If we are to change our world view, images have to change.:"
독서도 그런 것이 아닐까? 표면이 아닌 안을 보고, 관점을 바꾸어 세상을 다르게 보는~
"움직이는 초점"
▧The video camera dominates art. It's a bore, it makes everything look a bit the same. If you look at things with a pencil and paper in your hand, you are going to see far more.
▧ Perspective is a law of optics... The Chinese did not have a system like it. Indeed, it is said they rejected the idea of the vanishing point in the eleventh century, because it meant the viewer was not there, indeed, had no movement, therefore was not alive.
▧ The 'how' has a great effect on what we see. To say that 'what we see' is more important than 'how we see it' is to think that 'how' has been settled and fixed. When you realize this is not the case, you realize that 'how' often affects 'what' we see.
▧ How difficult it is to learn not to see like cameras, which has had such an effect on us. The camera sees everything at once. We don't.
▧-on Pablo Picasso's later works...
These pictures may relate to an awareness that the journey to outer space is also the journey to innerspace.
▧ Teaching people to draw is teaching people to look.
▧ If you see the world as beautiful, thrilling and mysterious, as I think I do, then you feel quite alive.
▧“We do not look at the world from a distance; we are in it, and that’s how we feel.” – David Hockney
perspectives.
A rebel among his contemporaries, Hockney (b.1937) - largely known for his portraits and vast landscapes is also recognised for his refusal to be pigeonholed in a particular medium or artistic style. Over the span of six decades, he constantly experimented with numerous materials and methods available, embracing an open minded approach to art and technology (including sketching with iPads) that led to his acclaim and relevance today.
The works presented here look into the technical challenges within the process of depiction to address two fundamental questions: “How do we see? How do we depict?” They go against the popular vanishing point perspective, which, to Hockney, limits the audience by keeping them outside of the painting. The artist believes that the human eye is more fluid and dynamic than a single point of view. Through employing multiple perspectives, which reflect the moving focus of the human eye, Hockney masterfully absorbs the viewer into the work, making them a part of the world instead of a mere onlooker.
http://www.khan.co.kr/allthatart/art_view.html?art_id=201903251437011
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